{"id":7905,"date":"2023-12-12T12:33:42","date_gmt":"2023-12-12T11:33:42","guid":{"rendered":"https:\/\/casopis.nlk.cz\/?page_id=7905"},"modified":"2023-12-12T12:33:42","modified_gmt":"2023-12-12T11:33:42","slug":"mezinarodni-konference-muzeum-a-zmena-vi-strategie-trendy-vize-a-nove-pohledy","status":"publish","type":"page","link":"https:\/\/casopis.nlk.cz\/en\/archiv\/2023-28-3-4\/mezinarodni-konference-muzeum-a-zmena-vi-strategie-trendy-vize-a-nove-pohledy\/","title":{"rendered":"Mezin\u00e1rodn\u00ed konference Muzeum a zm\u011bna VI: Strategie, trendy, vize a nov\u00e9 pohledy"},"content":{"rendered":"

Velk\u00fd kongresov\u00fd s\u00e1l, nov\u00e1 budova N\u00e1rodn\u00edho muzea, 24.\u2013 25. \u0159\u00edjna 2023<\/strong><\/h3>\n
Mgr. \u0160imon Kr\u00fdsl, Zdravotnick\u00e9 muzeum, NLK<\/strong><\/h5>\n

Konference Muzeum a\u00a0zm\u011bna po\u0159\u00e1d\u00e1 Asociace muze\u00ed a\u00a0galeri\u00ed spole\u010dn\u011b s\u00a0dal\u0161\u00edmi pam\u011b\u0165ov\u00fdmi institucemi od roku 2002, obvykle jednou za t\u0159i roky. V\u00a0leto\u0161n\u00edm roce se po COVIDov\u00e9 pauze jedn\u00e1n\u00ed vr\u00e1tilo do N\u00e1rodn\u00edho muzea, kde se konaly ji\u017e prvn\u00ed ro\u010dn\u00edky cyklu. Konference p\u0159edstavila m\u011bn\u00edc\u00ed se roli muze\u00ed, prom\u011bny c\u00edl\u016f, obsahu i\u00a0mo\u017enost\u00ed sb\u00edrkotvorn\u00e9 i\u00a0v\u00fdstavn\u00ed \u010dinnosti i\u00a0nov\u00e9 probl\u00e9my a\u00a0t\u00edsn\u011b, na n\u011b\u017e muzea nar\u00e1\u017eej\u00ed ve druh\u00e9m desetilet\u00ed 21.\u00a0stolet\u00ed. Zpr\u00e1va o\u00a0dvoudenn\u00edm jedn\u00e1n\u00ed snad m\u016f\u017ee b\u00fdt zaj\u00edmav\u00e1 i\u00a0pro knihovn\u00edky, kte\u0159\u00ed ve sv\u00e9 praxi \u0159e\u0161\u00ed velmi podobn\u00e9 v\u00fdzvy, a\u00a0to ve v\u0161ech dot\u010den\u00fdch oblastech.<\/p>\n

V\u00a0prvn\u00edm bloku konference p\u0159edstavili z\u00e1stupci N\u00e1rodn\u00edho muzea, Um\u011bleckopr\u016fmyslov\u00e9ho muzea v\u00a0Praze, Arm\u00e1dn\u00edho muzea VH\u00da na \u017di\u017ekov\u011b a\u00a0Muzea literatury (Pam\u00e1tn\u00edku n\u00e1rodn\u00edho p\u00edsemnictv\u00ed) v\u00a0posledn\u00edch letech otev\u0159en\u00e9 expozice v\u00a0nov\u00fdch budov\u00e1ch a\u00a0uk\u00e1zali, jak se prom\u011bnila a\u00a0prom\u011b\u0148uje krajina pra\u017esk\u00fdch muze\u00ed. A\u0165 \u0161lo o\u00a0d\u016fraz na soci\u00e1ln\u00ed anga\u017eovanost p\u0159i tvorb\u011b v\u00fdstav i\u00a0sb\u00edrek, t\u011bsn\u00e9 propojen\u00ed v\u00fdstavby budovy a\u00a0expozice \u010di mnohotv\u00e1rnost uchopen\u00ed tak t\u011b\u017eko vystaviteln\u00e9ho p\u0159edm\u011btu, jak\u00fdm je literatura, \u00fa\u010dastn\u00edky tyto p\u0159\u00edsp\u011bvky inspirovaly k\u00a0n\u00e1v\u0161t\u011bv\u011b i\u00a0k\u00a0budov\u00e1n\u00ed vlastn\u00edch expozic, a\u010d ov\u0161em obvykle v\u00a0men\u0161\u00edm prostoru a\u00a0s\u00a0men\u0161\u00edmi n\u00e1klady. Druh\u00fd blok z\u00a0r\u016fzn\u00fdch \u00fahl\u016f zkoumal pr\u00e1vn\u00ed r\u00e1mec \u010dinnosti muze\u00ed: dlouhodob\u00e9, a\u010d st\u00e1le ne\u00fasp\u011b\u0161n\u00e9 \u00fasil\u00ed o\u00a0prosazen\u00ed muzejn\u00edho z\u00e1kona v\u00a0\u010cesk\u00e9 republice, srovn\u00e1n\u00ed s\u00a0pr\u00e1vn\u00ed situac\u00ed na Slovensku, d\u00e1le benchmarking, p\u0159\u00edpravu registra\u010dn\u00edho syst\u00e9mu muze\u00ed a\u00a0galeri\u00ed, syst\u00e9my \u0159\u00edzen\u00ed pr\u00e1vn\u00edch rizik v\u00a0muze\u00edch a\u00a0kone\u010dn\u011b vnit\u0159n\u00ed evalua\u010dn\u00ed n\u00e1stroj pro muzea MOI (Museums of\u00a0Impact) Framework, kter\u00fd v\u00a0letech 2019\u20132022 vznikl v\u00a0s\u00edti NEMO (Network of\u00a0European Museum Organizations). V\u00a0\u010cesk\u00e9 republice jej testovalo Muzeum loutek v\u00a0Z\u00e1pado\u010desk\u00e9m muzeu.<\/p>\n

P\u0159edn\u00e1\u0161ky posledn\u00edho bloku prvn\u00edho dne konference vykreslily sou\u010dasn\u00e9 mo\u017enosti a\u00a0zm\u011bny muzejn\u00edho v\u00fdstavnictv\u00ed. Obsahov\u011b bohat\u00e1 a\u00a0konkr\u00e9tn\u00ed byla prezentace Aleny Kotyzy a\u00a0Krist\u00fdny \u0158\u00edhov\u00e9 z\u00a0N\u00e1rodn\u00ed galerie o\u00a0alternativn\u00ed pedagogice a\u00a0diskursivn\u00edmu, tedy na rozpravu s\u00a0rozli\u010dn\u00fdmi n\u00e1v\u0161t\u011bvn\u00edky a\u00a0poslucha\u010di zam\u011b\u0159en\u00e9mu p\u0159\u00edstupu k\u00a0muzejn\u00ed edukaci, a\u00a0to ve v\u00fdstav\u00e1ch Digit\u00e1ln\u00ed bl\u00edzkost (2002) o\u00a0vztahu technologie a\u00a0intimity a\u00a0Nikdo sem nepat\u0159\u00ed v\u00edc ne\u017e ty (2022\u20132023), kter\u00e1 c\u00edlila na nacionalistick\u00e9 narativy v\u00a0politice st\u0159edn\u00ed Evropy, i\u00a0v\u00a0nov\u00e9 trval\u00e9 expozici Konec \u010dernob\u00edl\u00e9 doby 1930\u20132021, kter\u00e1 uv\u00e1d\u00ed pestrou mozaiku um\u011bleck\u00e9 tvorby 2.\u00a0poloviny 20.\u00a0stolet\u00ed do vztahu se spole\u010densk\u00fdmi a\u00a0politick\u00fdmi \u010diniteli, kter\u00e9 ji utv\u00e1\u0159ely a\u00a0utv\u00e1\u0159ej\u00ed. P\u0159edn\u00e1\u0161ka Barbory Kulihov\u00e9 z\u00a0Vojensk\u00e9ho historick\u00e9ho \u00fastavu o\u00a0muzejn\u00edch programech pro studenty se speci\u00e1ln\u00edmi pot\u0159ebami byla jak pln\u00e1 nov\u00fdch podn\u011bt\u016f, tak nesm\u00edrn\u011b u\u017eite\u010dn\u00e1 pro ka\u017edodenn\u00ed praxi v\u00a0muze\u00edch libovoln\u00e9ho zam\u011b\u0159en\u00ed. Jan \u0160ejbl z\u00a0N\u00e1prstkova muzea pak uk\u00e1zal, jak se v\u00a0d\u011bjin\u00e1ch prom\u011b\u0148ovala fotografie jako sb\u00edrkov\u00fd p\u0159edm\u011bt i\u00a0\u00fahly z\u00e1jmu o\u00a0ni \u010di etick\u00e9 ot\u00e1zky, spojen\u00e9 s\u00a0jednotliv\u00fdmi sn\u00edmky, soubory fotografi\u00ed, fotografickou prax\u00ed v\u0161eobecn\u011b a\u00a0etnografickou fotografi\u00ed zvl\u00e1\u0161\u0165. P\u0159edn\u00e1\u0161ka nezapomn\u011bla ani na vyu\u017eit\u00ed fotografie pro evidenci a\u00a0dokumentaci, p\u00e9\u010di o\u00a0sn\u00edmky a\u00a0mo\u017enosti a\u00a0omezen\u00ed jejich prezentace.<\/p>\n

Druh\u00fd konferen\u010dn\u00ed den se v\u011bnoval nejprve muzeu jako v\u011bdeck\u00e9 a\u00a0v\u00fdzkumn\u00e9 instituci a\u00a0mo\u017enostem a\u00a0metodice v\u011bdeck\u00e9 pr\u00e1ce v\u00a0nest\u00e1tn\u00edch a\u00a0men\u0161\u00edch muze\u00edch. V\u00fdznamnou datab\u00e1zi dokumentuj\u00edc\u00ed muzejn\u00ed v\u00fdstavy (1990\u20132020), tedy aspekt na\u0161\u00ed \u010dinnosti, kter\u00fd se jinak nejsn\u00e1ze propad\u00e1 do zapomenut\u00ed, p\u0159edstavila Ivana Kocichov\u00e1 z\u00a0N\u00e1rodn\u00edho zem\u011bd\u011blsk\u00e9ho muzea a\u00a0projekt vzbudil velk\u00fd z\u00e1jem i\u00a0vzru\u0161en\u00ed. Dana Kub\u00e1tov\u00e1 ze strojn\u00ed fakulty Z\u00e1pado\u010desk\u00e9 university v\u00a0Plzni p\u0159edstavila technologie a\u00a0metody reverzn\u00edho in\u017een\u00fdrstv\u00ed jako postupu dokumentace, reprodukce a\u00a0tvorby sb\u00edrkov\u00fdch p\u0159edm\u011bt\u016f. Poskytla z\u00e1sadn\u00ed orientaci v\u00a0t\u011bchto postupech t\u011bm, kdo se sna\u017e\u00ed s\u00a0fotogrammetri\u00ed \u010di 3D skenov\u00e1n\u00edm v\u00a0evidenci i\u00a0prezentaci sb\u00edrek pracovat, i\u00a0t\u011bm, pro n\u011b\u017e jsou nov\u00e9. Druh\u00fd, nejdel\u0161\u00ed blok konference se zab\u00fdval ochranou kulturn\u00edho a\u00a0p\u0159\u00edrodn\u00edho d\u011bdictv\u00ed, t\u00e9matem, kter\u00e9 v\u00a0dob\u011b v\u00e1le\u010dn\u00fdch konflikt\u016f i\u00a0\u017eiveln\u00fdch pohrom bohu\u017eel nabylo na aktu\u00e1lnosti. Z\u00e1stupci Modr\u00e9ho \u0161t\u00edtu p\u0159edstavili pr\u00e1ci t\u00e9to organizace v\u00a0\u010cR a\u00a0nov\u011b i\u00a0na Slovensku, Dita Limov\u00e1 z\u00a0Ministerstva kultury pak historii, dokumenty i\u00a0nov\u00e9 projekty UNESCO v\u00a0ochran\u011b kulturn\u00edho d\u011bdictv\u00ed lidstva.<\/p>\n

\"\"

P\u0159edn\u00e1\u0161ka Romana Liubuna a Liubov Hodovansk\u00e9 o \u201eKulturn\u00edm a historick\u00e9m d\u011bdictv\u00ed na v\u00e1le\u010dn\u00e9 linii\u201c \/ foto Veronika L\u00f6blov\u00e1<\/p><\/div><\/p>\n

P\u0159edn\u00e1\u0161ky o\u00a0kulturn\u00edm d\u011bdictv\u00ed ohro\u017een\u00e9m v\u00e1lkou uk\u00e1zaly, jak relativn\u00ed je t\u00ed\u017ee probl\u00e9m\u016f, kter\u00fdm muzejn\u00edci v\u00a0\u010cesk\u00e9 republice \u010del\u00ed. Z\u00e1rove\u0148 p\u0159edstavily minul\u00e9 i\u00a0sou\u010dasn\u00e9 snahy \u010desk\u00e9 muzejn\u00ed ve\u0159ejnosti ve skute\u010dn\u011b krizov\u00fdch situac\u00edch pomoci. Roman Liubun a\u00a0Liubov Hodovanska dolo\u017eili daty, \u010d\u00edsly i\u00a0obrazy destrukci a\u00a0rabov\u00e1n\u00ed kulturn\u00edch hodnot na Ukrajin\u011b zasa\u017een\u00e9 ruskou agres\u00ed. Silvie Van\u010durov\u00e1 popsala projekty materi\u00e1ln\u00ed pomoci, restaur\u00e1torsk\u00e9 spolupr\u00e1ce a\u00a0dal\u0161\u00ed sou\u010dinnosti s\u00a0muzejn\u00edky v\u00a0S\u00fdrii a\u00a0na Ukrajin\u011b mezi lety 2017 a\u00a02023. Podporou ukrajinsk\u00fdch muze\u00ed ze strany ICOM, ale i\u00a0Ministerstva kultury, N\u00e1rodn\u00edho muzea a\u00a0N\u00e1rodn\u00ed knihovny se v\u011bnoval i\u00a0p\u0159\u00edsp\u011bvek Pavla Jir\u00e1ska. Prezentace v\u00a0z\u00e1v\u011bre\u010dn\u00e9m bloku se nevyhnuly ani p\u00e1tr\u00e1n\u00ed po sb\u00edrk\u00e1ch ukraden\u00fdch v\u00a0ned\u00e1vn\u00e9 i\u00a0del\u0161\u00ed minulosti, mo\u017enostem muze\u00ed reagovat na \u00fatoky \u201eaktivist\u016f\u201c a\u00a0p\u0159edch\u00e1zet jim i\u00a0spolupr\u00e1ci men\u0161\u00edch muze\u00ed ohro\u017een\u00fdch mimo\u0159\u00e1dn\u00fdmi ud\u00e1lostmi jak\u00e9koli povahy. Z\u00e1v\u011bre\u010dn\u00fd p\u0159\u00edsp\u011bvek Michala \u010eurovi\u010de pak p\u0159edstavil podobn\u00e1 ohro\u017een\u00ed i\u00a0pomocn\u00e9 akce u\u00a0koleg\u016f v\u00a0\u010desk\u00fdch archivech.<\/p>\n

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Stanislav Libensk\u00fd, Jaroslava Brychtov\u00e1. Sklen\u011bn\u00e1 plastick\u00e1 st\u011bna pro foyer Feder\u00e1ln\u00edho shrom\u00e1\u017ed\u011bn\u00ed \u010cSSR, Praha, 1972<\/p><\/div><\/p>\n

Konference prob\u011bhla v\u00a0historick\u00fdch prostor\u00e1ch n\u011bkdej\u0161\u00edho Feder\u00e1ln\u00edho shrom\u00e1\u017ed\u011bn\u00ed. Pro muzejn\u00edky mil\u00e1 je skute\u010dnost, \u017ee prostory zachovaly \u010d\u00e1st interi\u00e9ru v\u010detn\u011b hlasovac\u00edho za\u0159\u00edzen\u00ed Sn\u011bmovny n\u00e1rod\u016f \u010di sklen\u011bn\u00e9 plastick\u00e9 st\u011bny Stanislava Libensk\u00e9ho a\u00a0Jaroslavy Brychtov\u00e9 v\u00a0p\u0159eds\u00e1l\u00ed. Atmosf\u00e9ra setk\u00e1n\u00ed muzejn\u00edk\u016f byla jako v\u017edy p\u0159\u00edjemn\u00e1. N\u011bkte\u0159\u00ed zahrani\u010dn\u00ed host\u00e9, p\u0159edev\u0161\u00edm z\u00a0Ukrajiny, ale i\u00a0ze Slovenska, p\u0159ednesli skute\u010dn\u011b z\u00e1sadn\u00ed p\u0159\u00edsp\u011bvky. Jin\u00e9 mezin\u00e1rodn\u00ed p\u0159edn\u00e1\u0161ky \u2013 z\u00a0men\u0161\u00edch, soukrom\u00fdch muze\u00ed \u2013 bohu\u017eel p\u0159inesly jen m\u00e1lo nov\u00e9ho. Ani drobn\u00e9, opakuj\u00edc\u00ed se technick\u00e9 probl\u00e9my s\u00a0mikrofony v\u0161ak nenaru\u0161ily bohatstv\u00ed p\u0159ed\u00e1van\u00fdch zku\u0161enost\u00ed a\u00a0pohled\u016f na nej\u017ehav\u011bj\u0161\u00ed t\u00e9mata muzejn\u00ed sou\u010dasnosti.<\/p>\n

\r\n

Citace<\/h2>\r\n

KR\u00ddSL, \u0160imon. . L\u00e9ka\u0159sk\u00e1 knihovna<\/i>. Online. 2023, ro\u010d. 28, \u010d. 3-4. ISSN 1804-2031. Dostupn\u00e9 z: https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages\/7905<\/a> [cit. 05.11.2026].\r\n<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Velk\u00fd kongresov\u00fd s\u00e1l, nov\u00e1 budova N\u00e1rodn\u00edho muzea, 24.\u2013 25. \u0159\u00edjna 2023 Mgr. \u0160imon Kr\u00fdsl, Zdravotnick\u00e9 muzeum, NLK Konference Muzeum a\u00a0zm\u011bna po\u0159\u00e1d\u00e1 Asociace muze\u00ed a\u00a0galeri\u00ed spole\u010dn\u011b s\u00a0dal\u0161\u00edmi pam\u011b\u0165ov\u00fdmi institucemi od roku 2002, obvykle jednou za t\u0159i roky. V\u00a0leto\u0161n\u00edm roce se po COVIDov\u00e9 pauze jedn\u00e1n\u00ed vr\u00e1tilo do N\u00e1rodn\u00edho muzea, kde se konaly ji\u017e prvn\u00ed ro\u010dn\u00edky cyklu. Konference p\u0159edstavila m\u011bn\u00edc\u00ed se […]<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":7874,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[55],"class_list":["post-7905","page","type-page","status-publish","hentry","tag-zpravy"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"en","enabled_languages":["cs","en"],"languages":{"cs":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages\/7905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/comments?post=7905"}],"version-history":[{"count":6,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages\/7905\/revisions"}],"predecessor-version":[{"id":8142,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages\/7905\/revisions\/8142"}],"up":[{"embeddable":true,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/pages\/7874"}],"wp:attachment":[{"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/media?parent=7905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/categories?post=7905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casopis.nlk.cz\/en\/wp-json\/wp\/v2\/tags?post=7905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}